Contents
If you are upgrading from an older version of M.U.G.E.N, please read the Upgrade Notes.
M.U.G.E.N is a 2D fighting game engine that is enables you to create commercial-quality fighting games. Almost everything can be customized, from individual characters to stages, as well as the look and feel of the game.
After downloading M.U.G.E.N, unzip it into a new folder and double-click mugen.exe to run.
The majority of content created for M.U.G.E.N tend to be distributed as individual characters, stages or motifs. Assembling a game is as simple as downloading the content of your choice, and configuring M.U.G.E.N to know about it.
M.U.G.E.N is designed to be used by people with little or no programming experience, but with some artistic talent and patience to learn. Of course, having some programming background does give you a bit of a headstart. However, if you are just looking to play with downloaded content, all you need to know is how to unzip files and edit a text file.
Here's a sampling of features you can find in M.U.G.E.N:
Game Engine
M.U.G.E.N is free for non-commercial use. If you have other needs, just ask us. You can read the full license text in the README file.
Because he was the master of the earth, he was also the master of its pulse. The drum was his voice—specifically the , a sacred, double-headed instrument crafted from the hollowed wood of holy trees like the oma . These drums were more than just musical instruments; they were "living" tools capable of speaking the Yoruba language, used in rituals to call upon the spirits and cleanse the community of sickness. The Rhythm Crosses the Sea
The drums never stopped beating. In the mountain towns and city streets of Cuba, the Bàtá and the carried the secret messages of the Orishas. By the 1940s, the religious invocation of Babalú-Ayé had leaked into the secular world. Cuban composer Margarita Lecuona wrote the song "Babalú," an operatic, percussive prayer that asked the deity for help. It was first popularized by Miguelito Valdés, known as "Mr. Babalú," but it was waiting for a global stage. The TV King: Desi Arnaz Babaloo Drum
Afecto Caribeño / Caribbean Affect in Desi Arnaz's “Babalú Aye” Because he was the master of the earth,
The "Babaloo" story took a dramatic turn during the transatlantic slave trade. Enslaved Yoruba people brought their beliefs and their drums to , where the worship of Babalú-Ayé evolved into the religion of Santería . In this new land, Babalú-Ayé became syncretized with Saint Lazarus , the Catholic patron of the sick and poor. The Rhythm Crosses the Sea The drums never stopped beating
The story of the is a sweeping journey that begins in the sacred groves of West Africa, travels across the ocean to the nightclubs of Havana, and eventually lands in the living rooms of millions through American television. It is a tale of a deity, a rhythm, and a man who brought them together. The Sacred Origins: Babalú-Ayé
In the ancient stories, Babalú-Ayé was often depicted as a humble, limping old man, his skin scarred by smallpox and his body wrapped in (palm leaf) curtains to hide his wounds. He wandered the dusty roads accompanied by two faithful dogs, his only companions when others shunned him for his illness.