Nobita’s group travels to Poko’s home world, only to find it under the rule of Empress Jeanne .
A tragic antagonist whose hatred for robots stems from the loss of her father, making her vulnerable to Dester’s manipulation.
Directed by Tsutomu Shibayama, presents a futuristic society where humans and robots coexist. The narrative follows Nobita and his friends as they travel to a parallel world to thwart a sinister plot aimed at stripping robots of their emotions. This paper examines how the film utilizes the Doraemon cast to address complex ethical questions surrounding robot rights, empathy, and the definition of humanity. 1. Introduction Doraemon: Nobita & Robot Kingdom
Influenced by her advisor Dester , the Empress has issued a "Robot Remodelling Order" to remove emotions from all robots, viewing them as mere tools.
Released on March 9, 2002, this film marks a significant entry in the "Long Stories" series, transitioning from simple adventure to socio-political commentary. By placing the familiar characters in a "Robot Kingdom," the story highlights the contrast between Earth’s simple gadgets and a civilization where technology has achieved sentient social structures. Nobita’s group travels to Poko’s home world, only
The film's success relies on the dynamic between traditional protagonists and new robotic allies:
This paper explores the 2002 film , the 23rd feature film in the Doraemon franchise. It analyzes the narrative structure, core themes of artificial intelligence and emotional autonomy, and the film's enduring message regarding human-technology relationships. Abstract The narrative follows Nobita and his friends as
Through teamwork and the strategic use of Doraemon's gadgets, the heroes support a rebellion to restore emotional autonomy to the robotic citizens. 3. Character Analysis