The dialogue is snappy, the character archetypes are played to perfection (shoutout to the "catty" Christine and the resilient Elizabeth), and the pacing is relentless. It’s the kind of film that begs to be watched with a rowdy late-night crowd. Final Verdict
Set in the 1930s, the film follows a group of elite socialites who gather at a crumbling manor for a dinner party. There’s the wealthy host Victor, the tennis-playing Teddy, the sharp-tongued Christine, and our relatable "outsider" entry point, Elizabeth. The evening starts with cocktails and caviar but quickly takes a sharp left turn when a seance goes horribly wrong, unleashing a demonic force with a grudge. A Love Letter to the Classics
Despite its "knowingly flimsy" premise, the film succeeds because it never feels like a mean-spirited parody. Instead, it’s an earnest, charming tribute to the directors McHenry loves—names like Hitchcock, Carpenter, and Sam Raimi. Here Comes Hell
Eschewing modern CGI, McHenry opted for puppets, masks, and gallons of real blood, giving the horror a tactile, visceral feel that pays homage to 80s cult classics like Braindead . Why It Works
Shot on a shoestring budget of just £22,000, this film is a masterclass in independent filmmaking, proving that you don't need millions when you have practical effects, a sharp script, and a lot of fake blood. The Setup: Tea, Toffs, and Terror The dialogue is snappy, the character archetypes are
Blood, Black-and-White, and British Wit: Why You Need to See Here Comes Hell (2019)
Check out our other reviews of cult horror classics or dive into more interviews with indie directors making waves in the scene. There’s the wealthy host Victor, the tennis-playing Teddy,
It starts as a witty Agatha Christie-style parlor mystery before exploding into a splatter-gore extravaganza.