Unlike the original hardware, which was strictly a stereo unit, Red Rock Sound built this plugin from the ground up for multi-channel environments.
Sweeps from 30 Hz to 240 Hz. This removes heavy low-end energy from the detection circuit to prevent the compressor from "pumping" on kick drums or thick basslines.
Features stepped attack settings and diverse recovery (release) times ranging from 40ms up to 2 seconds to perfectly time the compressor's breathing to your tempo.
High-Quality (HQ) mode to eliminate digital aliasing foldback. 💡 Best Use Cases
You can map and build up to 16 independent custom channels for specialized audio manipulation. 2. The Signature Analog Tone
Red Rock Sound Comp 609 [win] Site
Unlike the original hardware, which was strictly a stereo unit, Red Rock Sound built this plugin from the ground up for multi-channel environments.
Sweeps from 30 Hz to 240 Hz. This removes heavy low-end energy from the detection circuit to prevent the compressor from "pumping" on kick drums or thick basslines. Red Rock Sound Comp 609 [WiN]
Features stepped attack settings and diverse recovery (release) times ranging from 40ms up to 2 seconds to perfectly time the compressor's breathing to your tempo. Unlike the original hardware, which was strictly a
High-Quality (HQ) mode to eliminate digital aliasing foldback. 💡 Best Use Cases Unlike the original hardware
You can map and build up to 16 independent custom channels for specialized audio manipulation. 2. The Signature Analog Tone