: Turn the "Time mul" knob all the way to the left to divide the note into many tiny segments, similar to a high-hat roll.
This is the most popular way to create a rising, reversed effect without needing to export audio. It allows you to keep your 808 as a MIDI pattern for easy pitch changes.
: Cut the beginning of the 808 (which is now the end) to avoid clipping and align the "swell" so it peaks exactly when your next kick or 808 starts. 3. The Slide Note Trick
: Place a small 808 note in the Piano Roll just before the main "hit".
: If your 808 is MIDI, right-click the pattern and select Quick render as audio clip .
: Place a low-velocity note one octave below your target note.
This creates a "sucking" pitch effect that often accompanies reversed 808s in modern trap production.
: Place a Slide Note (double-click a note and select the triangle icon) at the actual pitch you want to hit.
: Turn the "Time mul" knob all the way to the left to divide the note into many tiny segments, similar to a high-hat roll.
This is the most popular way to create a rising, reversed effect without needing to export audio. It allows you to keep your 808 as a MIDI pattern for easy pitch changes.
: Cut the beginning of the 808 (which is now the end) to avoid clipping and align the "swell" so it peaks exactly when your next kick or 808 starts. 3. The Slide Note Trick
: Place a small 808 note in the Piano Roll just before the main "hit".
: If your 808 is MIDI, right-click the pattern and select Quick render as audio clip .
: Place a low-velocity note one octave below your target note.
This creates a "sucking" pitch effect that often accompanies reversed 808s in modern trap production.
: Place a Slide Note (double-click a note and select the triangle icon) at the actual pitch you want to hit.
