Spider-man: Into The Spider-verse (2018) Link

Miles didn't wait for permission anymore. He spray-painted his own suit—black with a bold red spider—and climbed to the top of a skyscraper. As the glass shattered under his feet and he plunged toward the streets of New York, he didn't fall. He soared.

How did you feel about the of the film—did the "living comic book" look help you get into the story? Spider-Man: Into the Spider-Verse (2018)

Miles Morales didn’t ask to be a glitch in the system. One minute, he was just a kid from Brooklyn spray-painting murals in hidden subway tunnels; the next, he was watching the Peter Parker of his world die at the hands of Kingpin. Miles didn't wait for permission anymore

The weight of the mask felt impossible. Unlike the perfect, polished hero he’d seen on the news, Miles couldn't even control his own powers. He was "sticking" to things he didn't want to touch and turning invisible only when he was terrified. Then came the others. He soared

He wasn't just a replacement for Peter Parker anymore. He was Brooklyn's one and only Spider-Man. And as he swung through the city later that night, headphones on and the sunset reflecting off his mask, he realized the truth: anyone can wear the mask. You just have to be the one to stand up.

He arrived at the collider just as the other Spider-folks were being overwhelmed. With his unique "venom blast" and a newfound rhythm, Miles didn't just join the fight; he led it. He sent his mentors back to their home dimensions with a final, confident salute, then faced Kingpin alone.

First, a washed-up, sweatpants-wearing Peter B. Parker from another dimension who was more interested in pizza than mentoring. Then Gwen Stacy, a drum-playing Spider-Woman with more grace in one web-swing than Miles had in his whole body. Soon, the cellar of Aunt May’s house was a crowded crossover of realities: a black-and-white noir detective, a futuristic girl with a psychic robot, and a cartoon pig who packed a mallet.