The record features "martial, Zeuhl-like rhythms" mixed with gentle, laid-back jazz-rock. This creates a hypnotic, almost trance-like experience that reviewers describe as "Pink Floyd at 45 rpm".
"Boma" refers to a port town along the Congo River , which explains the album's iconic cover art featuring hippopotamuses in a river. Viva Boma
Keyboardist Marc Hollander (later of Aksak Maboul ) used "Dadaist synthesizers" and treated Farfisa organs to create a sound that felt ahead of its time, sometimes even evoking 1980s synth-pop years early. Themes of Harmony and Disruption The record features "martial, Zeuhl-like rhythms" mixed with
Pascale Son’s vocal delivery is a cornerstone of the album’s "deep" quality. She treats her voice like a lead instrument, utilizing wordless phonemes , sighs, and precise warbles rather than standard lyrical narratives. Keyboardist Marc Hollander (later of Aksak Maboul )
In the 1976 album by the Belgian progressive rock band Cos , the title serves as a clever, bilingual pun that anchors the record’s duality between domestic intimacy and surrealist exploration. The Linguistic Duality
In local dialect, "Bomma" (often spelled with two 'm's on the album's rear sleeve) means grandmother . This personal connection is literal; the grandmother of band members sits front and center in the photo on the back cover. Musical Depth and "Canterbury" Influence