Roger Waters - Us Them(2019) Info

The title, derived from the The Dark Side of the Moon track, serves as the film’s central thesis. By replacing the "and" with a plus sign, Waters argues that "us versus them" is a false dichotomy created by those in power to maintain control through division.

(2019) is far more than a standard concert film; it is a cinematic manifesto that bridges the gap between classic rock legend and modern political activism. Directed by Sean Evans and Waters himself, the film documents the 2017–2018 world tour and uses Pink Floyd’s iconic discography to deliver a blistering critique of contemporary authoritarianism, greed, and war. Thematic Core: Transcending Divisiveness

: Despite the "grim picture" of the world presented through much of the film, Waters concludes with a plea for unity, human rights, and love, positioning himself as a "prophet of hope" rather than just a critic of the status quo. Roger Waters - Us Them(2019)

: Visuals of refugees and riot police accompany songs like "The Last Refugee" and "Us and Them," shifting the focus from abstract lyrics to the harsh realities of displacement and systemic violence. Visual Production and Cinematography

In conclusion, Roger Waters: Us + Them is an "undeniably well-produced" marriage of music and activism. It proves that Waters’ decades-old warnings about alienation and greed remain urgently relevant, offering the audience both a "blistering" critique of the present and a vision of hope through collective resistance. The title, derived from the The Dark Side

: The production utilizes a massive, retractable LED screen that bisects the arena, allowing for high-definition, immersive storytelling that dwarfs the performers and places the audience within the narrative.

: The performance of "Another Brick in the Wall" features a local youth choir dressed in orange jumpsuits who eventually strip them off to reveal shirts reading "RESIST," turning a classic anthem into a modern call for social reform. Directed by Sean Evans and Waters himself, the

Shot primarily during a four-night residency at the Ziggo Dome in Amsterdam, the film is celebrated for its "state-of-the-art" visual production.